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ألاسم
اِضْطِراب ; جَعْجَعَة ; جَلَب ; جَلَبَة ; شَغَب ; صَخَب ; ضَجَّة ; ضَجِيج ; ضَوْضاء ; عَجْعَجَة ; عَجِيج ; عِيَاط ; فِتْنَة ; لَجَب ; لَجَّة ; لَغَط ; لَغْط ; مُشَاغَبَة ; وَغًى
ألاسم
اِضْطِراب ; جَعْجَعَة ; جَلَب ; جَلَبَة ; شَغَب ; صَخَب ; ضَجَّة ; ضَجِيج ; ضَوْضاء ; عَجْعَجَة ; عَجِيج ; عِيَاط ; فِتْنَة ; لَجَب ; لَجَّة ; لَغَط ; لَغْط ; مُشَاغَبَة ; وَغًى
A fanfare (or fanfarade or flourish) is a short musical flourish which is typically played by trumpets (including fanfare trumpets), French horns or other brass instruments, often accompanied by percussion. It is a "brief improvised introduction to an instrumental performance". A fanfare has also been defined in The Golden Encyclopedia of Music as "a musical announcement played on brass instruments before the arrival of an important person", such as heralding the entrance of a monarch (the term honors music for such announcements does not have the specific connotations of instrument or style that fanfare does). Historically, fanfares were usually played by trumpet players, as the trumpet was associated with royalty. Bugles are also mentioned. The melody notes of a fanfare are often based around the major triad, often using "[h]eroic dotted rhythms".
By extension, the term may also designate a short, prominent passage for brass instruments in an orchestral composition. Fanfares are widely used in opera orchestral parts, notably in Richard Wagner's Tannhäusercode: deu promoted to code: de and Lohengrin and in Beethoven's Fidelio. In Fidelio, the dramatic use of the fanfare is heightened by having the trumpet player perform offstage, which creates a muted effect.